Death Metal Angola is a 2012 Angolan-American music biographical film directed by Jeremy Xido. Death Metal Angola received unanimous acclaim during its festival run. The Huffington Post's E. Nina Rothe called Death Metal Angola a "must-watch film" and "a cult-classic in the making."
Death Metal Angola follows a loving Angolan couple, Sonia and Wilker, whose love for death metal music is bringing hope to the town and children of Huambo, and Angola as a country.
***SPOILER ALERT***
Heavy Music Rising from a Wounded Country
KRASNAYA:
The third film of the week is Death Metal Angola from American director Jeremy Xido. When Freddy pressed play, I honestly rolled my eyes because I did not feel like listening to death metal for 83 minutes. But the documentary quickly becomes much more than that. It opens with horrifying statistics about Angola's civil war and then introduces Wilker Flores, a death metal guitarist who uses brutal sounds and rhythms, as Sonia says, to clear out the debris from all these years of war. Sonia herself takes care of 55 orphaned children, and I can only say bravo to this incredible woman. Together they try to organize the first rock festival in Huambo.
The third film of the week is Death Metal Angola from American director Jeremy Xido. When Freddy pressed play, I honestly rolled my eyes because I did not feel like listening to death metal for 83 minutes. But the documentary quickly becomes much more than that. It opens with horrifying statistics about Angola's civil war and then introduces Wilker Flores, a death metal guitarist who uses brutal sounds and rhythms, as Sonia says, to clear out the debris from all these years of war. Sonia herself takes care of 55 orphaned children, and I can only say bravo to this incredible woman. Together they try to organize the first rock festival in Huambo.
FREDDY:
This has to be one of the most baffling, sad and life-affirming documentaries I have ever seen. When it ended, I immediately needed to understand how a guy from Detroit, Jeremy Xido, ended up in Huambo making a film about death metal bands and the first rock festival in one of the most war-torn cities in Angola. Apparently he was there researching a railroad documentary when Wilker invited him to the orphanage where Sonia cares for children abandoned or separated from their families by war. That whole section is heartbreaking. The Okutiuka orphanage is in terrible condition, with one water pump, no plumbing and children trying to survive with so little. They still manage to project warmth and hope, which makes the devastation left by war hit even harder.
This has to be one of the most baffling, sad and life-affirming documentaries I have ever seen. When it ended, I immediately needed to understand how a guy from Detroit, Jeremy Xido, ended up in Huambo making a film about death metal bands and the first rock festival in one of the most war-torn cities in Angola. Apparently he was there researching a railroad documentary when Wilker invited him to the orphanage where Sonia cares for children abandoned or separated from their families by war. That whole section is heartbreaking. The Okutiuka orphanage is in terrible condition, with one water pump, no plumbing and children trying to survive with so little. They still manage to project warmth and hope, which makes the devastation left by war hit even harder.
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| It takes patience, I know! |
A Documentary About Catharsis, Not Just Metal
KRASNAYA:
Freddy kept asking why death metal specifically. To me, the power and viciousness of extreme metal found a response among young Angolans because it became a raw way to express protest and release all the pain accumulated from the chaos around them. Psychologists say crying is one of the most important mechanisms of emotional discharge, and this music feels like another form of that release. Better to channel trauma through music than through crime or self-destruction. The documentary also shows there are more bands than you might expect, with Neblina standing out as the most famous one.
Freddy kept asking why death metal specifically. To me, the power and viciousness of extreme metal found a response among young Angolans because it became a raw way to express protest and release all the pain accumulated from the chaos around them. Psychologists say crying is one of the most important mechanisms of emotional discharge, and this music feels like another form of that release. Better to channel trauma through music than through crime or self-destruction. The documentary also shows there are more bands than you might expect, with Neblina standing out as the most famous one.
FREDDY:
My brain still struggles to process how Angola went from Kuduro to death metal with apparently nothing in between. I wish the film had spent more time exploring where this scene came from, who started it and how such an extreme sound took root there. Would punk rock not have been the more obvious bridge? That curiosity never really leaves me. Still, there is something amazing about seeing this festival come together. If I had stupid amounts of money, I would gladly help organize the next one in Huambo. I am not a death metal fan, but the passion, the DIY spirit and the determination behind this scene are undeniably compelling, even when the guitars drift out of tune.
My brain still struggles to process how Angola went from Kuduro to death metal with apparently nothing in between. I wish the film had spent more time exploring where this scene came from, who started it and how such an extreme sound took root there. Would punk rock not have been the more obvious bridge? That curiosity never really leaves me. Still, there is something amazing about seeing this festival come together. If I had stupid amounts of money, I would gladly help organize the next one in Huambo. I am not a death metal fan, but the passion, the DIY spirit and the determination behind this scene are undeniably compelling, even when the guitars drift out of tune.
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| Jayro Cardoso from Dor Fantasma. |
Final Verdict: Sad, Strange and Worth Watching
KRASNAYA:
This film absolutely deserves attention. I was moved by the desperate love for music and by how zealously these people want to heal their wounded country. I hope that first festival, even with its five-hour delay, made a real contribution to the rehabilitation of everyone who was there. I wish them all peace.
This film absolutely deserves attention. I was moved by the desperate love for music and by how zealously these people want to heal their wounded country. I hope that first festival, even with its five-hour delay, made a real contribution to the rehabilitation of everyone who was there. I wish them all peace.
FREDDY:
This documentary made me deeply sad because of the circumstances surrounding its subjects. Music and culture can absolutely help carry pain, but I still have doubts about whether this particular genre channels the kind of energy Angola needs. At the festival gathering, when one member of Dor Fantasma talked about unity and everyone laughed, the vibe felt competitive rather than uplifting. Still, this is a must-watch for heavy metal fans and for anyone curious about Angola's resilience. At the very least, it will surprise you.
This documentary made me deeply sad because of the circumstances surrounding its subjects. Music and culture can absolutely help carry pain, but I still have doubts about whether this particular genre channels the kind of energy Angola needs. At the festival gathering, when one member of Dor Fantasma talked about unity and everyone laughed, the vibe felt competitive rather than uplifting. Still, this is a must-watch for heavy metal fans and for anyone curious about Angola's resilience. At the very least, it will surprise you.
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| The light of the fu**ing party! |
Krasnaya's Score
75/100
Freddy's Score
70/100
FINAL SCORE
HUAMBO
SONIA AND THE OKUTIUKA
FIRST FESTIVAL
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