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The Foreign Duck, the Native Duck and God in a Coin Locker (2007)


Director: Yoshihiro Nakamura
Producers: Yasushi Utagawa
Screenplay: Kotaro Isaka (novel), Yoshihiro Nakamura, Kenichi Suzuki

Starring:
Gaku Hamada as Shiina
Eita Nagayama as Kawasaki
Seki Megumi as Kotomi
Keisu Tamura as Dorje

Music: Yukio Kikuchi
Cinematography: Takashi Komatsu
Editing: Hideyuki Ohata
Release Date: June 23, 2007 (Japan)
Running Time: 110 minutes
Language: Japanese
 Freddy's Movie Review
***SPOILER ALERT***

Introduction to Yoshihiro Nakamura's Adaptation

Hello fans of Japanese cinema! Today's treat is Yoshihiro Nakamura's adaptation of Kotaro Isaka's work in "The Foreign Duck, the Native Duck and God in a Coin Locker." This film continues Nakamura's trend of weaving intricate plots with significant twists, prominently featuring Bob Dylan's "Blowing in the Wind" as a recurring motif. This song has become a beautiful auditory thread that ties together the complex narrative of a foreign, specifically Bhutanese, duck. While the story is engaging, it does include some far-fetched moments and a few comedic missteps.


Cinematic Elements and Performances

The direction falters slightly in scenes like the rock throwing and a run-over incident, and some supporting performances, such as those portraying pet killers, fall flat. I've also learned that the police in Japan are totally useless! πŸ˜‚ The main actor, who's Kill-o from "Golden Slumber," was really good, and I loved watching him again. The character Kawasaki, though not as he seems, adds an intriguing layer to the ensemble. There's a candid commentary on racial attitudes that surfaces subtly through the narrative, possibly reflecting societal observations by Yoshihiro. Cinematically, Sendai provides a backdrop that's more functional than spectacular, lacking the visual allure seen in earlier films but still effectively setting the urban scene, especially around the condo setting which helps immerse viewers into the characters' lives.


Overall Experience and Recommendations

Despite its length, which might test some viewers' patience, the film warrants a second viewing. Knowing the plot twists transforms the viewing experience, uncovering nuanced details that might have been missed initially. Alongside Bob Dylan's tunes, the film features serene classical oboe pieces that enrich the viewing experience, ensuring it remains a soothing watch—just make sure you're well-rested to fully appreciate its slow beauty. Tomorrow I'm rewatching for the third time "Fish Story," obviously one of my favorite films ever. It's been a while since I've last seen it, so let's see if I still find it good. See you tomorrow!


πŸŽ₯ Cinematography (7/10):

The scenes capture Sendai's urban vibe decently, but it's nothing that'll blow you away.

πŸ“– Story (7/10):

This one's got a complex plot that hooks you with its twists and Bob Dylan's tunes woven through. While mostly gripping, it does veer into the unbelievable at times, which might pull you out of the moment.

🎬 Direction (7/10):

There are moments where you can see what Yoshihiro was aiming for, but not all his shots hit the mark.

πŸ‘₯ Characters (7/10):

The lead actors deliver strong performances, while the supporting cast leaves something to be desired.

πŸ’₯ Visual Effects (5/10):

Irrelevant.

🎭 Acting (7/10):

The main cast does a stellar job, particularly our protagonist. Their performances really anchor the film, even when the plot starts to meander.

πŸ’¬ Dialogue (7/10):

Some of the conversations felt a bit stilted, maybe lost in cultural translation, or just plain odd. It's hit or miss, adding to that quirky vibe, but it might not be everyone's cup of tea.

🌍 Setting/Atmosphere (6/10):

Functional, helping to ground the film’s events in a believable urban context without standing out significantly.

🎡 Music (10/10):

The soundtrack is a highlight, with Bob Dylan's classics and soothing oboe pieces setting a serene backdrop. It’s a real treat for the ears and one of the film's standout features.

πŸ˜„ Entertainment Value (8/10):

While the film can drag a bit with its length, it’s definitely worth a rewatch. The nuances of the plot promise new discoveries with each viewing, making it a potentially rewarding experience if you stick with it.

And take a look at this: I've also got a Bob Dylan "Essentials" CD, which I've treasured since I was 13 years old!
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