Plot Summary: After a brilliant young scientist learns how to photograph dark matter, a tech billionaire recruits her to a secret laboratory on his private island, where a quantum device makes first contact with an unknown intelligence and plunges the entire planet into a mysterious global blackout.
Directed by: Jonathan Sobol
Written by: Jonathan Sobol
Produced by: Doug Murray, William G. Santor, Nicholas Tabarrok
Starring:
Isabelle Fuhrman as Dr. Annika Kask
Dennis Quaid as Sam Houston
David Thewlis as Dr. Perry Glassner
Josh Hutcherson as Charlie Kaminsky
Raoul Bhaneja as Agent Sparrow
Stephen Adekolu
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⚠️ SPOILER ALERT ⚠️
First Contact with My Keyboard
Phew! I had to drag myself to my desk for this one. I'm feeling beyond lazy, but I committed to this week's theme, so here we are. Clearly, I wasn't cut out to be a film critic sensu stricto. See what I did there? A little Latin to sound fancy, just like a real critic. Moving on. Maybe this movie just wasn't stimulating enough to make me jump straight onto the PC. To be fair, compared to the previous two alien movies I watched this week, Signal One definitely has the most original premise and the most "realistic" take on what first contact might look like. There's a ton of scientific jargon tossed around about photographing dark matter. Honestly, that means nothing to me; they can throw in buzzwords like "algorithms," "sort by primes," and "replicate quantum signatures" all they want, and we just nod along to the hype of a quantum machine pinging the unknown. The "how" of contacting aliens isn't what's interesting here, though. What's interesting is the way a small, secret laboratory, run by a stereotypical billionaire CEO with a private island, responds to that first contact, which then creates a visible disturbance in the sky after an 8-minute and 19.48-second global blackout. How would the US of A government respond to this? And that's exactly where the movie begins: with the overused opening of someone being interrogated by some government team. Fair enough to capture your curiosity, but these questions of politics and world affairs weren't explored enough to satisfy me. How was the world reacting to a massive blackout and every single satellite getting knocked out? Well: Iran is moving troops; half of America thinks it's the Rapture; China, I guess, is attacking India after the "shots have been fired in Kashmir" news; and of course, Russia is doing really, really, really bad stuff π. I guess there isn't much you could do without making a four-hour movie, and that wouldn't amuse me either. Still, the ending, with the provocative answer "What made you think they left?" to the question "Doctor, will they come back?", was not that bad. Signal One messing with all the 4th-dimension people out there π. Everything I just described about the global consequences can be seen in the one-minute scene below.
Watch the government official "debrief" the science team on the global fallout below:
Screams and Kites
Even with a sweet 87-minute runtime, the movie felt heavy last night. All the dense, made-up scientific chatter had me fighting off sleep. My wife threw in the towel and was dead asleep 30 minutes in, until she got jolted awake by the shrill screams of Lucy (Emma Ho), the daughter of the thoroughly depressing Dr. Perry Glassner (David Thewlis). I filled her in on what she'd missed, and to the movie's credit, the rest was engaging enough to keep her awake. That wake-up moment is practically the film's only real action sequence, but honestly, it was completely unnecessary. Lucy is flying a kite near this quantum pyramid device; the field around it rips the kite through the air with extreme force and fries insects on contact, nearly taking her hand off with it. Yet somehow, humans can step inside and receive telepathic messages from dark-matter entities? It felt like a forced, contradictory mess just tossed in to manufacture tension.
Watch the clip below as Lucy plays with her kite a little too close to the quantum device:
Cloaked or Consumed?
There isn't much to add. I enjoyed the cinematography, there were some cool shots, the music was good, and it was well acted. There isn't much substance or any truly interesting characters, but I walk away with one thought-provoking question: if our location in the universe were exposed and an alien species millions of years more advanced found out about it, would we be screwed? And now that I think about it, what actually happened in the end? Did the planet receive an invisibility cloak, or were we eaten? The invisibility cloak doesn't make much sense, since it seemed to be our coordinates that were exposed, so hiding Earth along its orbit around the sun wouldn't help. Looking at the movie poster, I thought it would be worse. Seriously, just scroll up and look at that thing! What was the designer thinking? Why is Dennis Quaid's head so massive and Isabelle Fuhrman so tiny, when she's the actual lead? Terrible! π€¦ It's an okay movie, worth a watch, though I hope tomorrow's film gets me a little more hyped for day four of alien week.
Watch the final scene below and decide for yourself what happened:
Freddy's Final Rating
64
An original, thought-provoking first-contact premise buried under dense techno-babble and thin characters, but still worth a watch.
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